Page 2 of 3

Image format: .TIF or .TIFF

Tag Image File (or Tag Image File Format) is one of several file types for storing photographic images.

TIF files are loss-less, meaning that image quality is preserved during editing and multiple resaves.

TIF images can be saved with no data compression, or with a compression called LZW to reduce file data size on your computer.

Other common photo formats include JPG, PSD, and GIF. Less common formats include RAW, BMP, and PCT.

Pixel

The basic measurement unit used in a digital image or output device. The word pixel is a contraction of Picture Element.

Every image is created with thousands (or even millions) of pixels. A 7.5 Megapixel camera, now common in consumer-level cameras, captures images containing 7.5 million pixels.

‘Pixels’ is commonly used to describe the resolution of an image: your 1080p TV displays an image that is 1920 x 1080 pixels dimension. 

Resolution

The number of pixel elements used to capture or output an image. Resolution can be described somewhat loosely (ie: high resolution, low resolution) or specifically (ie: 7.2 Megapixel, 300 pixels per inch at 6″ wide, a 1080p TV screen.)

It is important that images provided for print or display on monitors, tablets, or smart phones be adequate resolution to faithfully reproduce important detail within images, and to have pleasing clarity on screen.

Image Quality Critereon: Resolution

While no one criterion can completely describe image quality, there is one criterion that is constantly the best place to begin: Resolution.

Thankfully, resolution is also one of the simplest to evaluate.

Every publisher has its own specified disqualifications and image expectations. These should broadly be considered guidelines, not hard-and-fast rules. For print projects (books, journals, brochures, etc) here’s a good rule of thumb:

Minimum image resolution is 
300 ppi (pixels per inch) 
at the anticipated dimension.

Example: if images in your project will be shown at 4″ wide, the width of your image should be at least 1200 pixels.

Always provide the best quality image you have available. Do not attempt to ‘res-up’ your image, as this can introduce problematic artifacts.

Exceptions to the suggested resolution: Some originals are only available at lower resolutions. Example include screen captures, security camera footage, etc. These should be provided as they are; you should consult your publisher to verify if their use is acceptable.

Also note that a lower resolution image with no other image quality concerns can reproduce better than a high resolution image with other serious problems.

Resolution can be deceptive.

  • Severe Cropping anticipated: If an image is severely cropped, the overall pixel dimensions may be meaningless. You may have a nice head shot of a patient after rhinoplasty (nose surgery), but you may want to only show only the nostrils and lower nose. In this case we must evaluate/estimate the pixel dimension of the image portion used.
  • Multiple Images in one file: Images may be provided ‘ganged’ or multiple-up. The image must be evaluated based on the estimated pixel dimension of each portion, not the overall image.
  • Unused margins: Images may contain extraneous data, such as borders that must be taken into account.
  • False resolution/artifacts: Will scaling up an image in Photoshop or other image editor help? Generally ‘no.’ Chances are good you’ll simply introduce or magnify image artifacts, and the image will reproduce badly. The thumbnail on screen may be deceptive, hiding the true image quality.

Other factors:

  • In print media, the 300 ppi number is determined primarily by the line-screen of the halftone dot used to reproduce the images on paper. With recent improvements in printing technology and papers, it’s not uncommon for a publisher to request 375 ppi images which allows for printing with a smaller halftone dot and improved image detail. Bottom line: always provide the best quality image you have available.
  • Use in both print and digital media: Images used in digital media (website, interactive apps, videos, DVDs, etc. ) have similar resolution requirements, which are frequently specified in pixel dimensions and not pixels per inch. For best display on a computer monitor, your publisher may request images >1280 x 720 pixels. This resolution approximates a print dimension of 4.25″ x 2.4″. Thankfully , this means that your good resolution image for print is also a good resolution for digital use.

I solve publishing puzzles.

Puzzle pieces

As a full-service graphic designer I enjoy solving puzzles. What graphics-related puzzles are you facing? Need help deciphering the image collection from an author? Desire an improved methods to handle labeling and images? Do you have a special project that must publish to print and digital almost simultaneously?
I’d love to be in on the conversations to consult on these ‘outside the box’ projects.

The Code of Fair Practice for the Graphic Communications Industry

Yfficient strives to maintain the highest level of ethics and responsibility. As a member in the Graphic Artists Guild, The Code of Fair Practice plays an important role in shaping agreements and practice.

The Code’s 29 Articles help define client/designer relationships which seek the best outcomes for both parties.

Read the complete Code of Fair Practice.

yfficient | Terms of Service

The following terms are part of the yfficient Project Agreement. This agreement helps to define the business relationship with you, and also describes important information regarding transfer of copyright.

The content below is subject to change. Your Project Agreement will contain the current terms.

1. Time for Payment

All invoices are payable within 21 days of receipt. At 30 days, a 1½% monthly service charge is payable on all overdue balances. The grant of any license or right of copyright is conditioned on receipt of full payment.

2. Default in Payment

The Client shall assume responsibility for all collection of legal fees necessitated by default in payment.

3. Estimates

The fees and expenses shown are minimum estimates only. Final fees and expenses shall be shown when invoice is rendered. The Client’s approval shall be obtained for any increases in fees or expenses that exceed the original estimate by 10% or more.

4. Changes

The Client shall be responsible for making additional payments for changes requested by the Client beyond the original assignment. However, no additional payment shall be made for changes required to conform to the original assignment description. The Client shall offer the Designer the first opportunity to make any changes.

5. Expenses

The Client shall reimburse the Designer for all expenses arising from this assignment, including the payment of any sales taxes due on this assignment, and shall advance $0.00 to the Designer for payment of said expenses.

6. Cancellation

In the event of cancellation of this assignment, ownership of all copyrights and the original artwork shall be retained by the Designer. A cancellation fee for work completed, based on the contract price and expenses already incurred, shall be paid by the Client.

7. Ownership and Return of Artwork

The Designer retains ownership of all originals and copies of the artwork, whether preliminary or final, and the Client shall return such artwork, including digital media, and shall permanently delete all digital copies thereof, within 30 days of use unless indicated otherwise in the Project Description.

8. Credit Lines and Attribution

The Designer and any other creators shall receive a credit line with any editorial or similar usage as described in the Project Description.

9. Releases

The Client shall indemnify the Designer against all claims and expenses, including reasonable attorney’s fees, due to uses for which no release was requested in writing or for uses that exceed authority granted by a release.

10. Modifications

Modification of the Agreement must be written, except that the invoice may include, and the Client shall pay, fees or expenses that were orally authorized in order to progress promptly with the work.

11. Alterations

Any alteration of artwork or graphic design comprising the Designer’s work products (including but not limited to image manipulation, color shift, mirroring or flopping, combination cut and paste, deletion) is prohibited without the express permission of the Designer. The Designer will be given first opportunity to make any alterations required. Unauthorized alterations shall constitute additional use and will be billed accordingly.

12. Confidential Information

The Designer acknowledges and agrees that the source materials and technical and marketing plans or other sensitive business information, including all materials containing said information, that are supplied by the Client to the Designer, or are incorporated into the Deliverables shall be considered confidential information and shall not be disclosed to the public by Designer without the Client’s prior written permission. Information shall not be considered confidential if it is already publicly known through no act of the Designer. Designer retains the rights to display all work created by Designer for this project, including preliminary designs and final Deliverables, in Designer’s portfolios, including in print and online, and to submit such work to design periodicals and competitions, provided that no confidential information is revealed thereby.

13. Ownership of Designers Tools and Methods

All design tools and methods developed or utilized by Designer in creating or supporting Client’s use of the Deliverables, including without limitation pre-existing and newly developed application tools and other software, and general non-copyrightable concepts such as interactive structures, layout, navigational and functional elements (collectively, “Designer Tools”), shall be owned solely by Designer. Designer hereby grants to Client a nonexclusive, nontransferable (other than the right to sublicense such uses to Client’s web hosting, internet, or wireless service providers), perpetual, worldwide license to use the Designer Tools solely with the Final Deliverables.

14. Code of Fair Practice

The Client and the Designer agree to comply with the provisions of the Code of Fair Practice as published by the Graphic Arts Guild, New York City.

15. Warranty of Originality

The Designer warrants and represents that, to the best of his/her knowledge, the final work products delivered hereunder are original and has not been previously published, or that consent to use has been obtained consistent with the rights granted to Client herein; that all work or portions thereof obtained through the undersigned from third parties is original or, if previously published, that consent to use has been obtained consistent with the rights granted to Client herein; that the Designer has full authority to make this agreement; and that the final work products prepared by the Designer do not contain any scandalous, libelous, or unlawful matter. This warranty does not extend to any uses that the Client or others may make of the Designer’s work products that may infringe on the rights of others. Client expressly agrees that it will hold the Designer harmless for all liability caused by the Client’s use of the Designer’s work products to the extent such use infringes on the rights of others.

16. Limitation of Liability

Client agrees that it shall not hold the Designer or his/her agents or employees liable for any incidental or consequential damages that arise from the Designer’s failure to perform any aspect of the project in a timely manner, regardless of whether such failure was caused by intentional or negligent acts or omissions of the Designer or a third party. Furthermore, the Designer disclaims all implied warranties, including the warranty of merchantability and fitness for a particular purpose. Client shall be responsible for all compliance with laws or government rules or regulations applicable to Client’s final product(s).

To the extent the final work products include intellectual property protected by copyright law, Client shall have sole responsibility for ensuring that use of such works do not infringe the rights of authors, and Client shall indemnify, save, and hold harmless Designer from any and all damages, liabilities, costs, losses, or expenses arising out of any claim, demand, or action by a third party alleging copyright infringement, or arising out of Client’s failure to obtain copyright clearance or permissions, for use of copyrighted material.

To the extent the final work products include any word, symbols, logos or other content used to designate Client as the source of goods or services (“Trademarks”), Client shall have sole responsibility for ensuring that Trademarks do not infringe the rights of third parties, and Client shall indemnify, save, and hold harmless Designer from any and all damages, liabilities, costs, losses, or expenses arising out of any claim, demand, or action by a third party alleging trademark infringement, or arising out of Client’s failure to obtain trademark clearance or permissions, for use of Trademarks.

The maximum liability of Designer to Client for damages for any and all causes whatsoever, and Client’s maximum remedy, regardless of the form of action, shall be limited to an amount equal to the total fees paid by Client to Designer hereunder. In no event shall Designer be liable for any indirect, incidental, special, consequential, exemplary, or punitive damages arising out of or related to the Services, even if Designer has been advised of the possibility of such damages.

17. Dispute Resolution

Any disputes in excess of $500.00 arising out of this agreement shall be submitted to mediation in accordance with the rules of Arts Resolution Services, a program of St. Louis Volunteer Lawyers and Accountants for the Arts. If mediation is not successful in resolving the dispute, the parties may by mutual consent submit the dispute to binding arbitration. The arbitrator’s award shall be final, and judgment may be entered in any court having jurisdiction thereof. The Client shall pay all arbitration and court costs, reasonable attorney’s fees, and legal interest on any award of judgment in favor of Designer.

18. Acceptance of Terms

The signature of both parties shall evidence acceptance of these terms.

yfficient | Hourly, project, and retainer options available

What are your needs? I’ve worked projects that last years, and others just one hour. Most fall somewhere between these two extremes!

Clients who prepay a portion of the estimated project cost can receive up to a 15% discount on all hourly services. I’d be happy to lay out your options and further details when preparing a project estimate.

I look forward to meeting with you to discuss your needs and the service yfficient provides.

yfficient | Business-class Software

You want to know that your vendors have the skill, experience, and resources to do the job well. yfficient has made appropriate investments to ensure these services are delivered well.

Here is a partial listing:

  • Adobe Creative Cloud 2017, including InDesign, Photoshop, Illustrator, Acrobat DC Pro, and Premiere Pro. CS6 applications available if required.
  • Office 365 suite, including Outlook, Excel, and PowerPoint, ensures industry-standard and business-class communications, file handling, and reporting.
  • Box.com Business for collaborative workspace, file intake and delivery, and complete off-site storage of your project files in real time. Free account for clients.
  • QuickBooks Online for business-class accounting, invoicing, and reports.
  • UberConference for conference calls and presentations.
  • TSheets time tracking and reporting. A detailed listing of all time entries always accompanies hourly project invoices.
  • iSpring video capture to record software demonstrations from the desktop.

Case Study: Rhinoplasty Craft & Magic

A variety of images from Rhinoplasty Craft & Magic.

For Dr. Constantian’s Rhinoplasty: Craft & Magic, I tackled thousands of images spanning several decades of the surgeon’s work.

Besides handing the large quantity, many images had been digitized from 35mm slides. Due to the film’s age, many images were declining in quality; further degradation occurred during scanning. These issues were corrected prior to publishing.

Case studies were presented with customized color backgrounds to indicate preoperative and postoperative images. To highlight form, many silhouettes were created from the original photos, often combined with the customized background. Special care was given to maintain the integrity of the form, as rhinoplasty procedures are measured in millimeters, and maintaining precision was vitally important to the author and editorial team.

To protect patient identity, I created a unique graphic effect successfully hiding the identifying characteristics of patients while allowing their nose to be on display. This effect was applied to hundreds of images.

Pages from medical book.

Example spreads demonstrating color correction, interior production, and precision image manipulation.

Services contributed:
Cover and interior production, interior template creation based on design, image processing and evaluation, image editing, photo color correction, prepress, illustration labeling, asset management, archiving

Title: Rhinoplasty: Craft & Magic
Author: Dr. Mark B. Constantian
Published by Quality Medical Publishing, St Louis, 2009
ISBN: 978-1-62623-611-0

« Older posts Newer posts »